Around 1900, writers for Harper's, Century, and other magazines took middle-class Americans on "safari" through Little Italy and the Jewish Lower East Side Later, at the dawn of the talkies, one of the most popular genres was the gangster film, through which the city was often portrayed as a powerful force that sent poor souls to their ожнхи doom With the urban disturbances of the 1960s, popular culture took another look at the city and decided that from Detroit to Watts to Harlem, the problem had a different face Blaxploitation classics such as Shaft and Fort Apache the Bronx, as well as police and crime films of the '60s and '70s, offered a cinematic exclamation point to the famous Daily News headline: "Ford to New York: Drop Dead!" Later filmmakers offered a more nuanced view of the city, with Scorsese and Coppola paying homage to an old neighborhood of wise guys and goodfellas, and Woody Allen offering the city as a home of urban aesthetes Meanwhile, on television, crime shows (from The Streets of San Francisco to NYPD Blue, Cops, and all the CSI programs) have for decades rooted their separate identities in the crime-ridden city itself Yesterday's foreign threat to the body politic is today's jaded suburbanite, and this work also considers the current development of the "cyber-city" where urban exiles use their computers to re-imagine the cities of their youth as safe, warm places where "we never locked our doors " The City continues to thrill and repulse, and even the Internet once again reduces the "mean streets" to a titillating story arc.  Составитель:Издательство: Praeger Publishers, 2007 г Твердый переплет, 296 стр ISBN 0027599712 Язык: Английский.